Friday, September 30, 2005

Columbia Hosed

You music critics miss the big stories with your free CDs, your backstage passes, and your rap sessions with Slash. But lunks like me who have to buy our music can be affected by unnoticed items like the following:

Dear Gaston,

The Columbia House Music Club is officially closing its doors on September 1, 2005.

I'll admit it. I've been pulling the trigger on "Buy one CD, get 3 free" for years now, spending about $7 per CD and often less after shipping and weirdly calculated fees. My dad would be proud because there are privileges that come with membership. Sure, you have to have an eagle's eye to find the goodies--did you know that Andrew Hill's Dance with Death is available at the BMG store for peanuts? And you'll find yourself up to your ears in Miles Davis, Bob Dylan, and other Columbia staples (including a zillion Blue Note wonders). But who can't use a fresh copy of Nefertiti or Toys in the Attic. (Actually, my recent review of 70s guitar bands tips the scales toward England. Deep Purple sounds fantastic to me now: try Fireball--just dopey enough; but Aerosmith don't really make it...the red album will do.)

Just so you know-->the record club lives on at BMG. But I am curious about the history of Columbia House. Remember when they pressed their own records and stamped everything with a "this has been hastily copied and poorly reproduced for COLUMBIA HOUSE"?

Here I'd like to get into my thoughts about the Dylan bio on PBS. Some really wonderful footage there and a surprisingly lucid and cooperative Bob. Did anyone else see it? Let's talk about that.

Rollercoaster of Love

Keith's salute to inefficiency only contributes to my increasingly vexed feelings about the modern university (and my place in it). I cannot tell whether a university is a place where good intentions have been severely compromised by encroaching Taylorist standards of "productivity" or whether it is a place where "real world" standards have not encroached enough. (The third possibility is, of course, that a substantial percent of human beings anywhere are narrow-minded bastards.) Anyhow, my position at the U is an invented one--no home campus, no single research interest, unusual authority in some matters while all but invisible in others. I am the Ariel of this strange island, slipping unnoticed into affairs of (wo)men who may be kings and may be beasts. I am currently going through the usual review process--formal committee members are watching me teach, scouring my cv, and reading my publication offerings--so I may be a bit more sensitive than usual. But because of my unusual position, I spend most days of most weeks prying into others' courses and peering through the holes of our administrative structures. And, oh!, what I have begun to see. A blog is not the best place to get into details, but I will say that I am experiencing the thrill and disappointment of political maneuvering that I have not felt since Valmont betrayed me just as I was about to conquer the world. My training--an idealistic, bookish college mixed with a ruthless but no less idealistic grad school--leaves me wearing Mambrino's helmet, arming myself for contests I cannot win. But, still, I admit to enjoying the visits, emails, and conversations with those who walk with me in the naïve hope that we're actually helping people.

I want to say more. Stay tuned. But I have to get back to preparing the seminar I'm giving tomorrow morning for high school teachers. It's called "The Surprising Truth about University Writing." Who knew that my adult life would be so glamorous?

Blognote: Stupid blog software dumped this post after I had finished it, so I rewrote as best I could (very quickly). Beware the "Preview" function. Save first. (Sounds obvious now.)

Thursday, September 29, 2005

In praise of inefficiency...

I can’t tell you how much I enjoyed jury duty last week. I’d never been called before (one of the perks of being a near-transient for a huge chunk of your life), but I did know that a) I wasn’t going anywhere and b) I should bring a book. (Nadeem Aslam’s Maps for Lost Lovers—nice character study of Pakistani Muslims in London, if a little purple and precious in the telling.) That’s more than many of my fellow prospects figured out, which led to a lot of grumbling as we were repeatedly marched to a new room and then abandoned for an hour or so. I mean, where did they think we were going?

Around 2 that first afternoon, my section of the pool made it to the voir dir. I was asked to describe my job (good thing I wasn’t up for selection on the Beanie trial), where I went to college, and what my parents did for a living. (Near as I can tell they were trying to get a socioeconomic/ class reading on me.) After they axed some obvious sore thumbs—the cop’s son who said he’d give greater weight to police testimony, the guy who claimed his cousin had been “wrongly imprisoned”—I was among those selected, as juror 13. That made me first alternate: I’d sit in on the trial, but unless someone had to bail out for some emergency reason, I wouldn’t participate in final deliberations.

Still, the trial itself promised to be juicy and entertaining. The defendant was accused of beating the shit out of his sister and leaving the house. When he came back, she was dead, so he rolled her into a carpet, wrapped it in masking tape, and dumped her in a crack house. Ten years later, her skeleton turns up, and a DNA test identified her.

Day two we were assembled at 9:30, which gave us plenty of time to sit around, since we weren’t taken to the jury room till noon or so. We sat around here for another hour, waiting for the bailiff to lead us out into the courtroom. He never came back. Instead, the judge himself popped in—to tell us we could all go home. Turns out the dude confessed at the last minute, after the judge allowed a particular damning piece of evidence. His Honor thanked us for our service, spoke glowingly about Magna Carta, and dismissed us. If there was any doubt that the process had been a waste of time, here was our final confirmation.

Except: there was something stimulating about being part of this wasteful, sluggish bureaucratic process. Maybe it’s because I work from home, so it was a more social environment than I’m used to—though to be fair, my fellow jurors aren’t folks I’d be likely to meet in my everyday travels anyway. But mostly, I was caught up in the careless rhythm of the courthouse. If something doesn’t get done today, there’s always tomorrow. There’s never a sense of urgency. It was relaxing, like watching baseball. It felt, you know, judicious, like a system that might eventually get stuff right in the long run.

I guess this isn’t quite the historical moment to celebrate inefficiency as a governing concept—though I’d distinguish between “inefficient” and “incompetent.” But the cult of efficiency has always chafed me, since it’s standard corpo-speak for “more work, less pay.” And my own work pace is crazily inefficient—James Thurber said he needed to factor “loafing time” into his workday, and I think anyone who does anything vaguely “creative” comes to the same conclusion eventually.

On top of that, I’m kinda fascinated by with the delays people are willing to put up with—daily commutes, for instance, or football games. How do we distinguish between an unacceptable “wait” and a standard, unavoidable part of our day? Or maybe I'm just trying to justify the fact that I'm posting a day late...

Wednesday, September 28, 2005

I know it's not my day...

But I also know that there is at least one person here who might find this worth a chuckle (if not $100):

BRIAN WILSON WANTS TO CALL YOU! Nortonians and other people who might
exist: Brian will PERSONALLY call you if you send $100 or more to help victims of
Katrina plus he will match your donation. http://www.brianwilson.com

(p.s. from Valbert: A "Nortonian" is anyone who is subscribed to the Norton Records newsletter)

Monday, September 26, 2005

Monday...

None of my blogs have ever lasted more then 3 months. I feel a little bit like Luke at the approach of Endor: "I'm endangering the mission; I shouldn't have come." But I will do my part to keep 3T alive.

This past weekend Shan & I were tag-team Wedding Helpers (for the 2nd time this year!) She did the make-up for the bride, bridesmaids, and mother of the bride. I played guitar during the processional ("Don't Worry Baby") and recessional ("This Will Be Our Year").

Halfway through the dinner, the bride & groom (my good friends Megan & Jeremy) realized that they only had two cd's for the reception - a jazz comp for the dinner, and a slow dance mix. Luckily I had my iPod with me. After the cake-cutting I sprang into action, mixing the hits directly into the PA. Not surprisingly, it's the stuff that typically raises eyebrows (Bell Biv DeVoe, Kelly Clarkson, ABBA, Donna Summer) that people went bananas over. So I'm officially a pinch-DJ for hire. Best of all, I don't have to carry around crates of records! As Chuck Klosterman said, "the iPod is the first piece of technology that has NO downside," and that is the TRUTH!

Speaking of Shannon, she has started an internship here at EMP, so I'll see her from 1-5pm on Mondays. So awesome. She's planning on leaving the cosmetics field to move into Public Relations, so she's working with the Marketing Team to write press releases, work the media, etc. etc. She likes it so far. I like having her here; since we only have one day off together each week, I'll take whatever I can get!

Speaking of work, tonight I get to do something fun! I'm going to an advance screening of "Serenity," chaperoning the 10 members of the Science Fiction Museum who won the random drawing to see the movie. So basically I show up, give out the 10 passes, and then watch the movie. Joss Whedon rulez! (Full disclaimer: I never watched a single episode of "Firefly," on which the movie is based).

The Withholders are getting ready for our next show, which is a "Soft Rock" cover nite (we're playing songs by Bread, Dr. Hook, and Captain and Tennille). We're wearing 70's outfits. It's going to be so much fun.

Ok Tackers, I'm out for the day....

C